Kershaw uses the video camera is a way of thinking—negotiating the lived experience of participants with his artistic re-imagining of place. Rather than recording 'reality' as it is given or manufacturing fictions—Kershaw provokes an alternative reality that is then documented. As a result his stylistic approach plays between, performative, cinematic and documentary genres. In this process, people are re-embodied within their own surroundings, shifting their perspectives, revitalising their relationship to place and provoked to reconsider their own assumptions.